While we’re on the subject of the difference between Islam and the rest of the world, let’s also look at the difference between the New York Times’ reaction to Piss Christ, a crucifix submerged in urine and called “art,” and the inane and stupid cartoons that have caused embassies to be set ablaze:
From Sunday’s Times:
“But this did not take place in a political vacuum. Hostile feelings have been growing between Denmark’s immigrants and a government supported by the right-wing Danish People’s Party, which has pushed anti-immigrant policies. And stereotyping in cartoons has a notorious history in Europe, where anti-Semitic caricatures fed the Holocaust, just as they feed anti-Israeli propaganda in the Middle East today.
“In the current climate, some experts on mass communications suggest, the exercise was no more benign than commissioning caricatures of African-Americans would have been during the 1960’s civil rights struggle. ‘You have to ask what was the intent of these cartoons, bearing in mind the recent history of tension in Denmark with the Muslim community,’ said David Welch, head of the Center for the Study of Propaganda and War at the University of Kent in Britain. Nicholas Lemann, dean of the Columbia Journalism School, put it this way: ‘He knew what he was doing.’”
Sinister anti-muslim plot exposed. It’s obvious that the Times is more interested in presenting a piece sympathetic to the Muslim side in this story. Another classic quote from the same piece:
And there was agonizing over what it meant for both press freedom and tolerance. “The limit to freedom of expression is the point at which there is an intent to harm a person or a community,” said William Bourdon, a French lawyer who has handled high-profile freedom of speech cases. “It’s not because there was a reaction that there should be a presumption of intent.”
But Mustafa Hussain, a Pakistani-born Danish sociologist, said the cartoons showed how far to the right Europe’s debate has swung. “Switch on the television and you have the impression that Muslims are all fanatics, that Muslims don’t understand Western liberal values,” he said.
Mr. Rose offered a distinction between respecting other people’s faith, which he favors, and obeying someone else’s religious taboos, which he said society has no obligation to do.
But whether his exercise had achieved his stated goal — of forcing citizens to think about their submission to someone else’s taboos — it was clear that it had helped extremists on both sides who would keep Europe and the Muslim world from understanding each other.
The nefarious plot unveiled.
The position in the Times piece is quite clear. The Dutch paper started a shitstorm, and they presented a side equivalent to the sambo comics of the 1960’s. Got that? Okay good. Now contrast that with the Times’ take on Sensation at the Brooklyn Museum (via Newsbusters):
On October 2, 1999, the editors dealt with Christian offense in a single clause, before calling for art that “challenge[d] the public”:
“To be sure, many citizens of conscience find parts of the Brooklyn exhibition repugnant, and it is understandable that many Roman Catholics would find Chris Ofili’s image of the Virgin Mary offensive. Others would agree with our colleague William Safire that while the Brooklyn Museum has a right to show what it likes, the administrators have been clumsy or needlessly provocative. Yet a Daily News poll shows that the majority of New Yorkers support the museum over Mayor Giuliani by a ratio of two to one. Those numbers show a broad-based support for New York’s role as the nation’s cultural capital. The people understand intuitively what Mr. Giuliani ignores for political gain. A museum is obliged to challenge the public as well as to placate it, or else the museum becomes a chamber of attractive ghosts, an institution completely disconnected from art in our time.”
A musem is obliged to “challenge the public” by slinging piles of crap at an image of the Virgin Mary.
Why is crap on a holy and revered figure “challenging the public,” while drawing a cartoon is akin to a racist caricature? It does, of course, get better, because Newsbusters also found a reference to Piss Christ and was sure to point out a completely unrelated item about a play in Nazi Germany that the Nazi Party wasn’t too keen on…
Most galling in retrospect was a May 3, 1998 article by contributing arts writer Amei Wallach, a favorable feature on a show that compared “Piss Christ” protesters to the Nazis.
“Goebbels is long and thin; Hitler closely resembles a Charlie Chaplin impersonator. Dressed in clown ruffs, they nudge each other onto the stage in the Irondale Ensemble Project’s musical theater-cabaret caper ‘Degenerate Art,’….the troupe is seeking to link 1990’s debates about the N.E.A. with the 1937 ‘Entartete Kunst’ (‘Degenerate Art’) exhibition in Munich, which the Nazi Government organized to show the German people the kind of art they were meant to hate.”
Wallach doesn’t blink when an arts curator compares objections to tax funding of “Piss Christ” to Goebbels and Hitler:
“Such rhetoric sounded chillingly contemporary to Stephanie Barron, curator of 20th-century art at the Los Angeles County Museum of Art, when she was preparing ‘Degenerate Art: The Fate of the Avant-Garde in Nazi Germany,’ the 1991 exhibition from which the Irondale Ensemble drew its inspiration. At the time when Ms. Barron was completing her reconstruction of the ‘Entartete Kunst’ show, some American senators and congressmen were using comparable language to denounce the works of Robert Mapplethorpe and Andres Serrano in their opening salvos against the N.E.A. In her catalogue essay, Ms. Barron noted ‘an uncomfortable parallel between the enemies of artistic freedom today and those responsible for organizing the “Entartete Kunst” exhibition’ more than a half century before.”
So to recap, a blatantly offensive “art” exhibit that attacks Christianity is perfectly fine, and anyone who criticizes them are comparable to Nazis because they don’t understand that art is meant to “challenge the populace.” If you produce art that is offensive to muslims, however, you’re then feeding into a racist system and your actions are no better than that of sambo artists from the Jim Crow era.
There seriously isn’t enough offense in the world to cover how I feel about the New York Slimes and its blatant apologism for assaults on Christianity and rioting animalistic destruction caused by muslims who were looking for something to be outraged at.
(Thanks to Newsbusters for finding the quotes)
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